Friday, January 14, 2011
mirapakai movie review
![]() | Mirapakai | ||
| Credits | |||
Jeevi rating: 3/5 Punchline: Undercover cop story Genre: Action/Romance Type: Straight Banner: Yellow Flowers Cast: Ravi Teja, Richa Gangopadhyay, Deeksha Seth, Prakash Raj, Kota Srinivasa Rao, Ajay, Sunil, Rao Ramesh, Supreet, Giri, Ali, Chandra Mohan, Sudha, Raja Ravindra, Naga Babu, Brahmaji, Sanjay Swaroop and Swati (SA) Music: Thaman Cinematography: C Ram Prasad Editing: Gowtam Raju Fights: Ram - Lakshman Story - screenplay - dialogues - direction: Harish Shankar Producer: Ramesh Puppala Release date: 13 January 2011 Theater watched: Screen 3, Prasads, Hyderabad | |||
| Review | |||
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Thursday, January 13, 2011
Mangala (2011) songs free download, mangala movie songs free download
Mangala (2011) Original ACD RIP VBR [320Kbps]
CAST : Charmi, Pradeep Rawat, Chitram Sreenu
Director : Osho Tulasiram
Producer : Mantra Entertainment
Music By : Viswas
CAST : Charmi, Pradeep Rawat, Chitram Sreenu
Director : Osho Tulasiram
Producer : Mantra Entertainment
Music By : Viswas
Title Song
Singers : Divija Karthik, Himabindu, Sai Charan
Singers : Divija Karthik, Himabindu, Sai Charan
Dhora Dhora
Singers : Rita, Vishwa
Bhoom Haa
Singers : Vishwa
Ice Ice
Singers : Rita, Vishwa
Bhoom Haa
Singers : Vishwa
Ice Ice
Singers : Pradeepthi
Mangala Theme
Wednesday, January 12, 2011
Parama Veera Chakra Movie Review
Parama Veera Chakra Movie Review
Movie : Parama Veera Chakra
Rating : 1.75/5
Banner : Teja Cinema
Cast : Balakrishna, Sheela, Ameesha Patel, Jayasudha, Murali Mohan, Ravi Kumar, Nagineedu, Neha Dhupia, Ali, Brahmanandam, Hema, Seetha, Kalyani and Others
Music : Mani Sharma
Cinematography : Ramana Raju
Producer: C Kalyan
Director: Dasari Narayana Rao
Released Date: January 12, 2011
Rating : 1.75/5
Banner : Teja Cinema
Cast : Balakrishna, Sheela, Ameesha Patel, Jayasudha, Murali Mohan, Ravi Kumar, Nagineedu, Neha Dhupia, Ali, Brahmanandam, Hema, Seetha, Kalyani and Others
Music : Mani Sharma
Cinematography : Ramana Raju
Producer: C Kalyan
Director: Dasari Narayana Rao
Released Date: January 12, 2011
Story:
A stale tale, the story begins with Chakradhar (NBK) who is a noted actor in the Telugu circuit and he gets into the skin of any character he plays. He also has a big fan (sheela) who tries to woo him and is in love with him. However, Chakradhar’s mother (jayasudha) is not interested to see her son doing films and wants him to join the Indian army. The story takes a turn with the arrival of few army officers (murali Mohan and others) who meet Chakradhar and narrate the story of one Major Jayasimha (NBK again). In no time, Chakradhar gets into the skin of Major Jayasimha and changes his approach. What happens after that forms the rest of the story.
A stale tale, the story begins with Chakradhar (NBK) who is a noted actor in the Telugu circuit and he gets into the skin of any character he plays. He also has a big fan (sheela) who tries to woo him and is in love with him. However, Chakradhar’s mother (jayasudha) is not interested to see her son doing films and wants him to join the Indian army. The story takes a turn with the arrival of few army officers (murali Mohan and others) who meet Chakradhar and narrate the story of one Major Jayasimha (NBK again). In no time, Chakradhar gets into the skin of Major Jayasimha and changes his approach. What happens after that forms the rest of the story.
Presentation:
The director has come up with an okay storyline and while the presentation was alright, the narrative required lot of improvement. The dialogues were good at places, the script was weak and had very few catchy moments. The screenplay was terrible. Background score was catchy and there are only two songs worth listening. Cinematography was the saving grace and gave a natural feel. Editing was average. Costumes were trendy while the art department looked fine. Yet again, Nandamuri Balakrishna infuses life into the two characters he played though it was not etched that well. His body language was strong and few dialogues got whistles and claps. Sheela gave visual feast as required and nothing more. Ameesha Patel was brief, Neha Dhupia was okay. Nagineedu made his presence felt. Jayasudha was effective. Murali Mohan was moderate, the comedy track between Brahmi, Ali and Hema was very tasteless and a bit vulgar. Raghu Babu and Krishna Bhagawan were not used to their fullest potential. Others were hardly there.
The director has come up with an okay storyline and while the presentation was alright, the narrative required lot of improvement. The dialogues were good at places, the script was weak and had very few catchy moments. The screenplay was terrible. Background score was catchy and there are only two songs worth listening. Cinematography was the saving grace and gave a natural feel. Editing was average. Costumes were trendy while the art department looked fine. Yet again, Nandamuri Balakrishna infuses life into the two characters he played though it was not etched that well. His body language was strong and few dialogues got whistles and claps. Sheela gave visual feast as required and nothing more. Ameesha Patel was brief, Neha Dhupia was okay. Nagineedu made his presence felt. Jayasudha was effective. Murali Mohan was moderate, the comedy track between Brahmi, Ali and Hema was very tasteless and a bit vulgar. Raghu Babu and Krishna Bhagawan were not used to their fullest potential. Others were hardly there.
Conclusion:
The major flaw in the film is its weak narrative and the lack of depth in the script. Until the interval, there is nothing much happening except for few time pass sequences. The real story begins only in the second half and the climax could have been fine tuned in a better way. Overall, this is a film that might get few accolades for Balayya, thanks to his various get ups but success at the box office is not very likely. It will take some aggressive publicity and if only the comedy track was worked well, the impact would have been different.
The major flaw in the film is its weak narrative and the lack of depth in the script. Until the interval, there is nothing much happening except for few time pass sequences. The real story begins only in the second half and the climax could have been fine tuned in a better way. Overall, this is a film that might get few accolades for Balayya, thanks to his various get ups but success at the box office is not very likely. It will take some aggressive publicity and if only the comedy track was worked well, the impact would have been different.
Tuesday, January 11, 2011
Prema Kavali (2011) Original ACD RIP VBR [320Kbps]
Prema Kavali (2011) Original ACD RIP VBR [320Kbps]
Music: Anoop Rubens
Cast: Aadhi, Isha Chawla
Dum Dum Dolu Baaje
Singers : Benny Dayal
Lyricist: Ananth Sriram
Chirunavve Visirave
Singers :Vijay Prakash
Lyricist: Ananth Sriram
Tolakari Chinukai
Singers : Ranjith, Shreya Ghoshal
Lyricist: Sahithi
Listen To My Heart
Singers : Anuj, Anjana Soumya
Lyricist: Bhuvana Chandra
Manasanta Mukkalu Chesi
Singers : Kay Kay
Lyricist: Ananth Sriram
Nuvve Nuvve Naa
Singers : Chitra, Vijay Prakash
Lyricist: Rama Jhogaya Sastry
Chirunavve Visirave (Remix)
Singers : Vijay Prakash
Lyricist: Ananth Sriram
Wanted (2011) telugu Mp3 Free Download
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Rishi (Ravi Teja) is a cop working at a special intelligence cell in Delhi. Kittu Bhai (Prakash Raj) is an international mafia kingpin operating from Bangkok. Rishi goes to Hyderabad and joins a college as a lecturer. He takes the under-cover job of lecturer to trap Kittu Bhai through Shankar Anna (Kota) - his channel in Hyderabad. He falls in love with a traditional Brahmin girl Vinamra (Richa Gangopadhay). The rest of the story is all about his triangular love story with Vaishali (Deeksha Seth) and how he brings Kittu Bhai to book.
Ravi Teja made sure that his brand comedy and entertainment is intact. He is highly energetic in dances (especially the first song and the last song). Richa Gangopadhyay is fine as a traditional Brahmin girl. Deeksha Seth is okay as a haughty girl. Swati gave a special appearance. Prakash Raj’s screen-time in the movie is more like that of a guest artist though he is the main villain. Kota Srinivasa Rao is impressive. One doesn’t understand what Sunil is doing in this movie and he is cliched.
Story - screenplay - direction: Story of the movie is cliched as we have seen loads of movies of cop working under-cover in Telugu since Pokiri. One good thing the director has done is to reveal the cop part of it in the beginning of the film in-stead of showing it as a twist in the end. The director’s ability cannot be judged when one directs the movie of Ravi Teja. Ravi Teja takes over the baton with his entertainment quotient and gives story/screenplay a backseat. This movie is no exception. Direction is okay in parts.
Other departments: Music director Thaman came up with populist tunes in the movie. The songs are good though they are loud at times. Background music is good. Cinematography is average. Dialogues are nice at times. Editing is okay. Fights are neat.
Analysis: The major story of the movie is revealed in the first 15 minutes and the culmination takes place in the last 15 minutes. The rest of two hours is dedicated to the love angle and entertainment. The screenplay that takes place during this 2-hour period is not properly done. It is a proven fact that Ravi Teja’s movies have scant respect for story and screenplay and majorly depend on the entertainment aspect. The entertainment is interesting in parts. We have to wait and see how Mirapakai is lapped up by the crowds.

