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Kaavalan - Review

Kaavalan - Review

Movie Kaavalan Director Siddique Producer Romesh Babu Music Vidyasagar Cast Vijay, Asin, Vadivelu, Mitra Kurein, Raj Kiran

   

   Vijay, the one man entertainment troupe has bounced back with Kaavalan. It’s super fun, perfect Pongal family entertainer and fits in with the spirit of the season. What makes the film tick is that Vijay with the help of director Siddique has done something different within the constraints of the formula.

The Tom & Jerry comic escapades of Vijay and Vadivel is a scream, song placements are perfect, romance is subtle but touching and the emotional climax twist is hard hitting. No Villain, no skin, no crass comedy, yet never a dull moment in the 2 hour 25 minutes movie.

Bhoominathan (Vijay) has been given that name by Semanoor Muthuramalingam (Raj Kiran), a wealthy and powerful feudal landlord. Bhoomi takes up an assignment to be the bodyguard of Muthuramalingam and saves him and his family consisting of his wife (Roja), daughter Meera (Asin), son Karthi (KK). He is given a new assignment by his boss to be Meera and her friend Madhu’s (Mitra Kurian) bodyguard at the college where they are studying.

Bhoomi is some kind of a joke at the campus, with his peculiar mannerisms, security guard’s dresses and dark glasses. Meera and her friends find his presence, often irritating. To poke fun at him, Meera starts making prank calls to him pretending to be a girl who is in love with him. After a while, things get serious, which leads to twist in the story.

One of the drawbacks of the film is the famous Asin-Vijay chemistry that has failed to work on screen. Asin looks too made-up, disinterested and sleep walks in a well written role. The film lacks a creditable storyline, but has been packaged keeping humour as its base, which makes it an engaging watch.

Vadivel who comes as Vijay’s side-kick and his comic antics with the hero are genuine gut busters. Raj Kiran, MS Bhaskar and Roja have hardly anything to do. Mithra Kurian in second lead is ok. Ekhambaram’s camera work is neat. Vidyasagar- Vijay combo works with some great melodies and fast beats like Pattamboochi and Step Step...

At the centre of all the mirth is the magical Vijay. The film works purely on his star charisma and larger-than-life image. His ace comic timing, dance movements and subtle performance in the climax makes his performance absolutely knockout. He carries the film on his shoulders and is one good reason to watch the film.

Verdict: Family Entertainer 

Aadukalam Movie Review

Director Vettrimaran proved that he is a man of substance in 'Polladhavan'. He reiterates it with more conviction and courage in 'Aadukalam'. With Dhanush again in the company, he has crafted a story that is meaningful and loaded with faces whom we often see in our midst. The core word is realistic and touchy.

After a sci-fi film in 'Enthiran', Sun Pictures have gone to the roots of our culture and they have managed to produced a film that strikes our heart instantly, which they could feel proud of. Vettrimaran deserves all pat for narrating a simple story with intricate and complex emotions in a nice manner.

The essence of true friendship, love in hatred and hatred in love and betrayal are highlighted in a excellent way by the director. Unlike the regular run-of-the-mill Madurai movies, 'Aadukalam' has more substance to chew for the masses. It is strikingly different and Madurai just forms part of the story.

If Vettrimaran is the flesh and blood, Dhanush is the soul. Doing the roles of boy-next-door is like a cakewalk for this lanky actor. His intense performance is the hallmark of the movie. He leaves a magic with callous dialogue delivery and apt body language. He seems to be in more comfort when he works with Vettrimaran.

Coming to the script, everything is new in 'Aadukalam'. Perhaps a different pitch where Vettrimaran goes all guns blazing. The story unfolds in a suburb in Madurai where cock fight is the most happening thing. Be it sorrow or joy or be it to proclaim the superior status in the village, rooster fight is played with all seriousness.

K P Karuppu (Dhanush) does everything and works tirelessly for Pettaikaran (Jayabalan). Pettaikaran is a stud in the sport and he had won many cock fights .There is one Dorai (Kishore), who too is an assistant to Pettaikaran. Obviously ego flare up between Dorai and Karuppu is bound to to be there.

Karuppu comes across an Anglo Indian girl Irene (Taapasee), living in the nearby railway colony. Innocent Karuppu tries ways and means to impress Irene. Meanwhile there is a cop in the same town - Rathnaswamy (Naren) who is also involved in cock fight and a name to reckon with in the sport.

All troubles break loose when he plans a fight with Pettaikaran. They manage to obtain permission from all authorities concerned and the sport for prestige begins. Interestingly the former adopts all fraudulent methods to scuttle Pettaikaran. When Pettaikaran loses at the start, enters Karuppu to save his master's pride.

He matches Rahtnaswamy's tricks and emerges winner. A jealous Pettaikaran now disowns Karuppu. The victory brings laurels in Karuppu's shoulder and soon he becomes a star in the neighbourhood. Pettaikaran plan a plot to avenge him. This enmity snowballs in to a huge crisis leading to a racy climax.

'Aadukalam' is a whiff of fresh air in cliched Tamil cinema. Dhanush is at it giving one of his best . He is right there giving an astounding performance from frame one. He is at ease with Madurai diction of Tamil. WIth a perfect body language, Dhanush walks away with all aplomb.

Jayabalan is a perfect choice for the character of Pettakaran. He lives up to the role and delivers dialogues with such power and punch. Kishore as usual does the job entrusted to him well. But a surprise package in the cast is Taapsee. She in the role of Anglo Indian girl is simple, sweet and elegant.

Vettrimaran has entrusted that it should not just be a superior product with a strong story but should be technically-rich. Dialogues and razor sharp editing (Kishore) besides cool visuals of Velraj adds strength. G V Prakash's catchy musical score is another plus for the film. Songs and background score go hand-in-hand withe the theme.

However on the flip side, some dragging moments in second half could have been avoided. On the whole, it was an different experience watching a different film. Hats off Vettrimaran and team and three cheers to Dhanush.

siruthai movie review

Karthi seems to be having a dream run in Kollywood. He is like a batsman in in prime form smashing all deliveries to boundary. As long as you are not ready to complain that 'Siruithai' lacks logic, the film would work big time, as it is an out and out commercial fare.

Having started his career convincingly being part of off-beat movies like 'Paruthuiveeran' and 'Aayirathil Oruvan', the sibling of actor Suriya is right here at a groove proving that he too is not far behind his elder brother, tasting success doing mass masala ventures.

Adding to his list of entertainers is 'Siruthai'. Fast and furious from the word go, the movie comes with a sole purpose to provide entertainment and with no pretensions achieves the purpose.

As if not happy scoring a ton in his earlier ventures, Karthi goes to score a double hundred here. Yes, the actor manages to pull it off convincingly donning a dual role in the film for the first time - that of a callous local youth and a tough cop.

Though a remake of Telugu hit 'Vikramarkudu', director Siva has taken Karthi's abilities in his stride to make some suitable changes in the Tamil script, that helps the movie cross the chequered flag with much ease and gusto. Be it the dialogues, comedy, action or romance, 'Siruthai' manages to sustain all interest - it is like a pot where you put your hand everytime you get a fortune.

Rocket Raja (Karthi) is a small time thief who is talented enough to steal anything he comes across. In the company of Kaatupoochi (Santhanam), he enjoys life to its extent and even falls for the charm of a beautiful girl (Tamannah).

However, his life changes forever when a small girl comes to Raja calling him dad. As Raja finds out the girl's past, a flashback reveals that she is the daughter of an honest cop Rathanavel Pandian (Karthi), who is a nightmare to baddies.

However, Pandian is now is on the run because his enemies are behind him and his daughter. Eventually, the villains find the whereabouts of Pandian and finishes him off.

So steps in Rocket Raja (with the help of Pandian’s colleagues who are behind the girl reaching him) into his shoes and finishes the unfinished work of Pandian. He also takes care of his daughter. A roller-coaster ride of fun, joy, camaraderie and romance is what 'Siruthai' is eventually.

Karthi has not merely run through the motion but gives his heart and soul in the characters. Be it a fun-loving Rocket Raja or the angry policeman Rathnavel pandian, Karthi brings both astute on screen. He combines the Anbuselvan of 'Kakkha Kaakha' and the Sakthi of 'Pithamagan', made famous by his brother Suriya. At ease and at his self in dual roles, Karthi spells his charm all through.

Not far behind is Tamannah. The 'Paiyaa' duo of Tamannah and Karthi recreates the same chemistry on screen. Tammanah as bubbly innocent girl spells magic. A complex character made with ease by her. After a brief interval, she gets a role in which she really sparkles.

Add Santhanam for humour, and the end product is breezy and entertaining. As usual the comedian has audience in splits with his one-liners. He combines the grace of veteran Goundamani and presents them in his unique way, scaling success movie after movie. Mega Nair (of 'Thangam' fame) plays a woman police and has a bearing in the script.

Then there is Avinash, Rajiv Kanakala among others who do the job given to them with consummate ease Walking away with honours is Vidyasagar. The man of melody has come up with a cocktail of peppy and soft numbers, while Velraj's cinematography is the talking point of the movie. The action sequences featuring Karthi as cop is major plus for 'Siruthai'

Produced by Studio Green, 'Siruthai' is fit and fine for a good leap. With Karthi trying new vistas not missing out on the entertainment quotient, it is a obvious sweet pongal for masses this Pongal. Action and satisfaction is what 'Siruthai' is.

Anaganaga O Dheerudu movie review

	Anaganaga O Dheerudu
Credits
Jeevi rating: 3.25/5 Punchline: Chandamama Katha Genre: Adventure/Fantasy Type: Straight Banner: ABODE Entertainment & Walt Disney Cast: Siddharth, Shruti Hassan, Lakshmi Manchu, Baby Harshita, Ravi Babu, Brahmanandam, Tanikella Bharani, Ali, Subbaraya Sharma etc. Music (songs): M M Keeravani, Koti, Mickey J Meyer, Salim-Sulaiman Background Music: Salim-Sulaiman Dialogues: T Sasi Rajasimha Cinematography: S Soundar Rajan Editor: Shravan Katikaneni Stunts and action: Dee Dee Ku, William Ong, Selva & Vijay Art: Bhupesh R. Bhupathi Visual Effects: Firefly Production design: Raj Golay Presented by: Walt Disney Pictures and K Raghavendra Rao Story - screenplay - direction: Prakash Kovelamudi Producer: Prasad Devineni and Prakash Kovelamudi Release date: 14 January 2011 Theater watched: Screen 3, Prasads, Hyderabad
Review
Story Irendri (Lakshmi Manchu) is a witch who takes over the world from her place - Angarajyam. Moksha (Baby Harshita) is a small girl who has special divine powers. Yodha (Siddharth) is a blind warrior. Irendri wants to kill Moksha and Yodha is entrusted with the job of gaurding Moksha. The rest of the story is all about how Moksha gets rid of Irendri with the help of Yodha. There is also a love story for Yodha. Artists Performance It is virtually impossible for any young hero in Telugu cinema to accept a blind man’s role. Siddharth is very brave to brace this character that flows with the narration of the movie. Siddharth is fabulous. Shruti Hassan is glamorous with her exotic looks. However, it is Lakshmi Manchu who steals the show. Her make-up, dialogue delivery and screen presence is terrific. Baby Harshita is impressive with her work. Ravi Babu is nice as the lieutenant of witch with the funny oneliner ‘nimma daanimma’. Brahmanandam and Ali have a few funny scenes. Technical departments Story - screenplay - direction: Story of the film is like Chandamama katha (fairy tale). The director didn’t succumb to the commercial trap and narrated it in a way it should be. Prakash Kovelamudi is excellent with visuals and presentation. He is highly imaginative. He introduced all the characters excellently. However, the movie has only one orientation throughout the movie - witch seeking the kid. A couple of secrets revealed in the second half are interesting. But, he couldn’t get the emotions strong enough on the screen to rise the tempo. Other departments: Songs are composed by 4 different music directors and all the songs are good. Background music composed by Salim Sulaiman is excellent. Visuals in this movie are of extraordinary quality. It is the result of collective team work by the cinematographer (Sounder Rajan) and visual effects team (Firefly). There are many visual effects that doesn’t appear like effects to naked eyes. There are graphics worth 72 minutes in this movie (half of the total runtime). Art direction by Bhupesh Bhupathi is superb. The costumes, make-up and get-ups are of top-notch. Dialogues by T Rajasimha are pretty good and they might sound odd for the regular moviegoers because the dialogues were written in pristine Telugu though he used contemporary cheap words like jaffa. Production values of the movie are humongous. Disney has made sure that their first Indian production is at par with their Hollywood projects in terms of technical and production values. Analysis: When was the last time we have the hero playing the role of a blind man? When was the last time a Telugu movie had a young woman as a villain? Anaganaga O Dheerudu is a brave attempt that defies many stereotypes and cliches of Telugu cinema. But at the same time, it is extremely important for any director to get the emotions flared up at the crux moments. Prakash Kovelamudi who stuck with the script made sure that the story is narrated like a fairy tale, but he couldn't get the right emotions/tempo (suspense or utkantha) towards the climax of the movie. The plus points of the movie are extraordinary visuals, lead performances (especially Lakshmi Manchu) and classic style of story-telling. The negative point of the movie is the lack of emotional depth/connect. On a whole, Anaganaga O Dheerudu is a universal movie that aims at kids in the family and the kid inside you.